Friday, September 30, 2011
Reading tomorrow
I'll be giving my first ever reading tomorrow (Saturday, October 1st) at 11:20 at the Magic Valley Arts Council building out on the canyon rim in Twin Falls. Right now, I believe my selection will be where Steigan discovers more secrets about his namesake, Saint Steigan. Now the full secrets of Saint Steigan's life are revealed (well, okay, maybe not all his secrets) in the second book of the series. So come on out now and listen to my reading to start your journey!
Friday, September 23, 2011
Writing
Seth Godin's blog today is a good one. If you haven't read it, here's your chance. If you don't read his blog regularly, I suggest you do. You don't have to agree with everything he says all the time (I certainly don't, and it aggravates me when I want more from him and he doesn't nudge through with just that little push), but he does have a unique view of the world that will open your mind.
Then, after you've read his blog for today, go write something! I did.
Fitting into today's world
At the heart of my Sacred Knight series is the metaphor that we are all looking for a place to belong within the world. Steigan, my main character is an orphan who has been taken in by the Temple, by his mentor, and by a family in a nearby town. He loves each of these deeply and realizes that he owes his life to all of them. But he also doesn't feel like he belongs with them; he still feels separate and that he has to work hard to please them.
I think we're all looking for that in our lives. We want to be part of something. We want to have something that we believe in, something we can support, something larger than ourselves.
The work always begins in our own lives. There is nothing out there in the world that we can be part of -- that which we seek is in ourselves. We always hope someone will come to rescue us, that we'll go somewhere to belong (why do you think the Cheers tv show ran for as long as it did? The lyrics said it all with "Sometimes you want to go where everybody knows your name."). But that space is never ever out there. It is inside you. You have to know why you feel like you don't fit into the world. Once you know why, then you'll realize the change you want to see in the world. With this knowledge, you can be the change. Then you'll fit in. You'll find the message that you need to take to the world and you'll find the people that need to hear it.
So look inside yourself to find out why you don't fit into this world and challenge yourself to make a difference so that you do fit in. The world needs your courage now more than ever.
I think we're all looking for that in our lives. We want to be part of something. We want to have something that we believe in, something we can support, something larger than ourselves.
The work always begins in our own lives. There is nothing out there in the world that we can be part of -- that which we seek is in ourselves. We always hope someone will come to rescue us, that we'll go somewhere to belong (why do you think the Cheers tv show ran for as long as it did? The lyrics said it all with "Sometimes you want to go where everybody knows your name."). But that space is never ever out there. It is inside you. You have to know why you feel like you don't fit into the world. Once you know why, then you'll realize the change you want to see in the world. With this knowledge, you can be the change. Then you'll fit in. You'll find the message that you need to take to the world and you'll find the people that need to hear it.
So look inside yourself to find out why you don't fit into this world and challenge yourself to make a difference so that you do fit in. The world needs your courage now more than ever.
Wednesday, September 21, 2011
Is summer over?
I'm going to miss these nice summer and fall nights. They are passing by too quickly.
My youngest son and I have spent several nights outside talking about the Sacred Knight series. We sit on the swing and look at the stars. We wait to watch the International Space Station fly overhead on nights that it's visible. And we dive into where I'm at in the manuscript. There's some things I don't want to reveal to him because I want to keep him as an engaged reader too. But it's still been fun working in-depth over the storylines with him. It keeps me on my toes, makes sure I'm not missing obvious things.
Most importantly, it's been good time we've spent together. I am so going to miss it.
My youngest son and I have spent several nights outside talking about the Sacred Knight series. We sit on the swing and look at the stars. We wait to watch the International Space Station fly overhead on nights that it's visible. And we dive into where I'm at in the manuscript. There's some things I don't want to reveal to him because I want to keep him as an engaged reader too. But it's still been fun working in-depth over the storylines with him. It keeps me on my toes, makes sure I'm not missing obvious things.
Most importantly, it's been good time we've spent together. I am so going to miss it.
Monday, September 19, 2011
Getting the job done right
Starting off the second book has been more of a challenge than I thought it would be. Because book two is about the life of Saint Steigan, I knew exactly how it needed to start, where I needed to begin, and what exactly had happened to the character before hand. But when you start writing about a character who keeps fading in and out of consciousness it gets a little hard. After all, how much is that point of view character really getting.
So, it seems to make sense to flash forward to a time when he's more conscious. Easy enough to do. But then how do you let on about the backstory up until that point?
There's a barn burning scene in the first book. As I was working along on the second book, I realized that what I had going on was another barn burning scene, except without the barn or the burning. I just had the same information gathering feel to it. I suppose that's a good thing. It should feel like the first book if I'm doing my job right.
So, it seems to make sense to flash forward to a time when he's more conscious. Easy enough to do. But then how do you let on about the backstory up until that point?
There's a barn burning scene in the first book. As I was working along on the second book, I realized that what I had going on was another barn burning scene, except without the barn or the burning. I just had the same information gathering feel to it. I suppose that's a good thing. It should feel like the first book if I'm doing my job right.
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